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Paris Is Burning is an important film which raises complex questions about race, class, and gender still prescient today.Īn astounding achievement, Rainer Werner Fassbinder’s adaptation of Jean Genet’s 1947 novel was also his final film. There’s no denying its power and influence. While many see this film as exploitative, its subject – New York’s vogue ball culture – is beyond unique.
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I cannot be objective about this movie: Gus Van Sant’s Shakespearean road movie holds a particularly special place in my heart the exact shape of Keanu Reeves holding a sleeping River Phoenix. Pasolini’s most accessible and entertaining film stars Terence Stamp as a mysterious youth who, one by one, seduces each member of a wealthy Milanese family. Jarman’s importance cannot be overstated, and this, his final film, is for me the ultimate expression of his unique voice.īy turns hilarious and horrifying, Stranger by the Lake is a fascinating study of the power of desire set entirely at a gay cruising ground in the South of France. Through the voices of his friends and a rich soundscape, Derek Jarman draws the viewer into his vision-impaired world – a vision rendered only in blue.
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Utterly gorgeous, and the pinnacle of cinematic art.
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Toshio Matsumoto’s psychedelic trans-Oedipal bloodbath is entirely insane, in the best possible way. Samuel Lange Zambrano’s stirring performance as a young boy grappling with his identity is charged with an ambiguity that leaves an open-ended question to how we determine sexuality. There’s no social upset on sexual preference, no rib-jabbing jokes nor is it a cog in the plot, the film plays it no mind and neither should we.īitterly sad yet wincingly beautiful. The tender eroticism actually lies more in the subtle acts of the mundane – Adèle’s ravenous eating, or simply strolling across the road.īutch but blasé, Queen Latifah and her cute but mute girlfriend add a refreshing dynamic to this movie brimming with spirited women. Although problematic in its apparent male gaze and unrealistic gay lovemaking, the performances of Léa Seydoux and Adèle Exarchopoulos are charged with snap-crackling chemistry.